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Art Classes

Salt Spring Island Painters Guild is dedicated to promoting artistic expression and creativity in the local community. We offer a variety of art classes for painting and drawing, suitable for artists of all skill levels. Our experienced instructors will guide you through the techniques and methods used in creating beautiful works of art. Come and join us and discover the joy of creating art in a supportive and friendly environment.

Become a Member here in order to register for classes:

Once you have purchased your Annual Membership

you can register for the following classes:

Cancellation Policy

Refunds for withdrawal from an instructed or mentored workshop will be issued if one withdraws at least 14 days prior to the instructed workshop. To cancel your registration, 14 days prior to the workshop, contact the registrar. Exceptions for refunds (medical or family emergency) post 14 days will be considered at the discretion of the registrar at info@ssipaintersguild.com.

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Around Town - Interpreting Ganges In Paint

 

Date: January 15, 2025

Time: 09:30 – 4:00 

Mentor: Susan Rogers

Location: ArtSpring

Levels: open to all

Medium: any and all

Price: $40

Max Participants: 16

This is not a plein air workshop. We’ll be painting inside at ArtSpring from photographs or sketches of Ganges. The aim of this workshop is to provide you with a group painting experience where all participants work on the same subject - Ganges. You may choose to focus on the harbour, the boats, the park, the people, the shops, wide street views or close up objects. The choice is yours. A big part of the enjoyment of this workshop will be sharing our different viewpoints and methods. You may want to come with some sketches that you will use as your inspiration. Or maybe you have a photograph that you would like to use. You may choose to work in watercolour, oil or acrylic. The mentor will circulate throughout the workshop to provide assistance and answer questions. At the end of the workshop we will set aside time to discuss and share our work.  You are guaranteed to be inspired by the many different ways people interpret the same subject. What a great way to start off the new year in the company of your fellow artists focussing on a subject we all know and love. Materials Please bring the materials that you usually work with depending on what medium you have chosen. If you are painting in oil please use low odour solvents. We will provide some 8 x10 photos of Ganges if you are not able to take your own. Instructor bio Susan Rogers attended Chelsea Art School in London UK. She has been a member of the guild for many years and has taught several classes in painting and drawing. She is an avid urban sketcher and enjoys painting people in urban settings.

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Painting From Photos

– Part 1 Simple Objects

 

Date: January 22, 2025

Time: 09:30 – 4:00 

Instructor: José Campbell

Location: ArtSpring

Levels: all

Medium: all

Price: $40

Max Participants: 16

We will examine the pros and cons of working from photos and discuss how best to use them to create paintings that are alive and appealing to the viewer. Photos allow access to a wide range of subject matter that would be difficult to do from life. Capturing special moments, painting animal or people may be out of our reach if it were not for the camera. To have a successful painting, using a photo, we need to understand their deficiencies and make the necessary adjustments. In this workshop, you will be working from your own photo. Please bring a photograph of an object such as a wheelbarrow, a musical instrument, tools, food, etc. Once you are aware of its inherent deficiencies, then you will pay close attention to shapes and spaces, lights and darks, warm and cool colours, soft and hard edges. By examining these elements, you will become aware of adjustments required to compensate for the camera’s limitations. Most of the day will be spent painting, stepping back, and making adjustment. Pre-workshop assignment: bring two different photos – ideally these are your own photos. If you prefer you can work from your phone or I-pad provided you clearly see the image. For each photograph, prepare one black & white copy and one in colour. Suggested size is 5 x 7 inches or a bit larger. If you do not have a printer, email José a .jpg photo and she will print them. Please use only the .jpg format and scale to a medium size (less than 2 Mb). These photos should keep subject and composition SIMPLE (Remember to photograph objects, NOT landscapes, that show strong values, and be of interest to you and taken by you. Feel free to contact José at campjose264@gmail.com or 250-537-1121 if you have questions or concerns

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Putting People in Your Paintings

 

Date: January 29, 2025

Time: 09:30 – 4:00 

Instructor: Susan Rogers

Location: ArtSpring

Levels: open to all

Medium: any and all

Price: $40

Max Participants: 16

This workshop will focus on how to simplify figures to capture the essence of people in a setting without getting lost in fussy details. Putting people in paintings can enliven our landscapes, urban scenes and interiors. But it can also be a challenge. The key is to think abstractly and see people as shapes. Painting people by finding the shapes and shadows and then unifying the values in your paintings will enable you to render figures that are believable. We’ll practice methods to simplify figures by observing patterns of light and shadow. In this way we can get the overall pattern shapes down before working on the parts. Some of these methods are: Massing shadow shapes to to find the shadow pattern Using negative painting to simplify Using dark and light values to simplify Exploring ways to soften and lose edges to create pathways for the eye Using an underpainting to tie your subject to the background We’ll work from photos. Ideally these will be your own photos but I will provide a selection of photos for you to use as references. Materials Please bring the medium you are most comfortable working in. Susan will be using watercolour or acrylic. You will need a selection of colours, mixing tray, supports - paper is ideal so you can try out different methods, brushes, etc. Please also bring sketch pad (white or grey paper) and black and mid tone grey markers and white gouache or acrylic paint. You are welcome to contact Susan to if you have any questions about what materials to use. Instructor bio Susan Rogers attended Chelsea Art School in London UK. She has been a member of the guild for many years and has taught several classes in painting and drawing. She is an avid urban sketcher and enjoys painting people in urban settings.

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2-day Open Painting Session

– Still Life

 

Dates: February 5&6, 2025

Time: 09:30 – 03:30 

Mentor: Lisa MacLean

Location: ArtSpring

Levels: all

Medium: all

Price: $80

Max Participants: 14

Come and take your inspiration from one of 3 different still life set-ups and over the course of two days complete a piece of art. Medium, style and level are open to all, including drawing. Come with an open mind and take your cue from the different set-ups. There will be no instruction, but the mentor is always happy to answer questions and provide helpful suggestions. We will begin with a few short ‘warm-up’ sketches, focusing on composition. This will be a 2-day workshop with six-hour sessions each day. Materials: Media and support of your choice, sketchbook, camera, brushes/tools, solvent (water is available), and portable easel and small table. We would like to limit the number of large tables used in order to enable space for everyone around the set-ups. Also bring plastic garbage bags to take away all waste material.

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Landscape Painting with Gillian Gandossi

 

Dates: February 19 & 26, 2025

Time: 09:30 – 4:00 

Instructor: Gillian Gandossi

Location: ArtSpring

Levels: all

Medium: oil or acrylic

Price: $80

Max Participants: 14

In this two day course Gillian will share the process and methods that she uses to create landscape paintings. With some instruction and gentle guidance, this is a hands-on workshop where participants will create their own unique painting through all the stages. With two days, we will have ample time to dive in to the planning, executing and finishing of a painting. It also gives time for those who are working in oil to let the blocking in stage dry before moving on to finishing. Acrylic painters will have time for layering and glazing. We will begin by exploring composition. What makes an image compelling? By learning about the principles of art we develop our sense for how to transfer reference material. We will look at some examples of how reference material has been worked into a sketch by being combined, simplified and rearranged. Everyone will bring their own ideas and reference photos to work from. It is recommended to choose a place to represent that you know well and feel a connection with. We will each create a small sketch to map out our ideas for our compositions. These we can review and adjust before moving on to the next phase. Once we are clear on our intentions we proceed by "scaling up" our drawing onto the canvas. In this process we will establish an underpainting or "grisaille" to help guide us. Then we are ready to move on to colour! There is some bonus homework in the time between sessions if you’re up for it. Gillian will share one of her methods for colour development that you can practice at home. On the beginning of day two we will warm up with a quick demo on value shifts, brushwork techniques and blending gradations. Then participants will work on the finishing stages of their paintings, adjustments, details, glazing etc. Throughout the two days Gillian will circulate and be available for one-on-one instruction. At the end of day two we will gather and have a brief show and tell with feedback. Materials: reference photos - bring a few that will provide source material for your painting. Sketchbook, pencil & eraser Ruler Primed canvas, suggested size (400-500 sq inch) e.g., 18x24, 20x20 Your paints, brushes, palette, rags, water/gamsol pot & mediums Instructor bio: Gillian is a lifelong artist. She received a BFA (honors) with a major in painting from UVIC in 2007 and has been practicing painting full-time on Salt Spring Island since 2012.

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Painting From Photos 

– Part 2 Animals/Pets

 

Date: March 5, 2025

Time: 09:30 – 4:00 

Instructor: José Campbell

Location: ArtSpring

Levels: all

Medium: all

Price: $40

Max Participants: 16

In this workshop we will review the pro and cons of working from photos and discuss how best to use them to create paintings that are alive and appealing to the viewer. Building on your experience we will tackle animals or pets. These are subjects that almost always require working from photos. Again you will be working from your own photo of an animal. When choosing your photo pay close attention to shapes & spaces, lights & darks, warms & cool colour, soft & hard edges. Try to bring a photograph that has a wide value range and one that shows the subject clearly. We will spend some time reviewing the adjustments required to compensate for the camera’s limitations. Most of the day will be spent painting, stepping back, and making adjustments. PRE-COURSE WORK: Please bring two copies of your photo(s): a black and white version and a colour version of the same image. Ideally this will be your own photo. If you prefer you can work from your phone or Ipad provided you clearly see the image. Materials: Bring the medium you are most comfortable working in. José will be using oil. Suggested colours: 2 reds 2 Yellows 2 Blues (1 warm 1 cool of each), green, burnt sienna and burnt umber. Mixing tray, supports – paper, canvas etc. (Preferably 9 x 12 or larger), bushes in a range of sizes (small to larger) Paper towels and bag for garbage.  Feel free to contact me at campjose264@gmail.com or 250-537-1121 if you have questions or concerns.

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High Fashion

Painting & Drawing Workshop

 

Date: April 2 & 9, 2025

Time: 09:30 – 4:00 (set up and ready to start at 10 am)

Instructor: Dee Tessmann

Location: Lions Hall

Levels: open to all

Medium: oil, acrylic, watercolour, coloured markers/pencils

Price for April 2 and 9: $120

Price for April 2 only: $80

Max Participants: 12

This is a 2-part workshop that will feature a clothed model wearing contemporary high fashion ensembles. The first day (April 2) will be drawing and/or painting from a live model. April 9 will be for making finished illustrations and/or paintings using the reference material – drawings, sketches and/or photographs – from the live model session. The instructor, Dee Tessmann will provide demos, suggestions and help throughout both days. Mouats Clothing Store will provide clothing for the model including accessories. The model will wear an haute couture ensemble, as well as a more casual outfit. We will start with Dee providing a few insights into fashion figure drawing such as proportions, gesture, and garment silhouette. The model will wear the more casual ensemble in the morning. We’ll start with short poses, followed by a long pose until 12:30 (with some breaks). We will pause for a half hour lunch and resume with the haute couture ensemble. There will be no short poses after lunch. We’ll also spend a few minutes at the end of the afternoon comparing our drawings and paintings, sharing our experience of working from a live model. Part 2 (April 9th): This is a mentored workshop day that follows on from part 1, when you can finish or fine-tune your painting (or start another) with Dee providing demos, helpful input and guidance. Remember if you plan on doing part 2 be sure to take sufficient photographs on day 1 to complete your work in this session. Note: part 2 is optional. You may enrol and pay for part 1 only or for parts 1 and 2 together. Further Possibilities As well Mouat’s Clothing store has limited wall space but has agreed to display a few paintings at their store for a period of time. If any of you are interested you will be able to take in your paintings at a future date (TBD), and they will select about 3 that will work well with their limited display space and store aesthetics. Mouat’s Clothing holds several fundraising events during the year that benefit those in need on Salt Spring Island. Should your painting be selected for display in their store, and you are willing to donate it to their fundraising initiative, they will conduct a silent auction of a selected painting with proceeds going toward their charity. Materials: Please bring a varied palette as the ensembles are not predetermined and will depend on what Mouats puts together from their new arrivals. Dee suggests that you bring a board to draw on that will hold 11” x 17” paper, and markers to warm up with. Dee will supply the paper. You may also bring your sketchbooks and whatever other pens/pencils etc. As the sketching component will be on 11” x 17” paper, bring a canvas or two of similar size to use for the final long pose and painting. If you are so inclined, bring your easels, and perhaps those that prefer to paint/draw while seated can bear in mind that being compact with your equipment will provide better views for all.

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Plein Air Workshop

– Day 1 on location, Day 2 in the studio

 

Dates: April 16 & 23, 2025

Time: 09:30 – 4:00 

Instructor: Nathalie St-Amant

Location: Ruckle Park on April 16; ArtSpring on April 23

Levels: all

Medium: oils or acrylics

Price: $80

Max Participants: 12

Led by Salt Spring Gallery artist Nathalie St-Amant this two-day workshop will spend a day at Ruckle park painting plein air, followed the next week with instruction on how to finish plein air paintings in studio. Day 1 – Painting in Ruckle park: Nathalie will provide suggestions for how to simplify composition through our interpretations of the landscape. We will work toward minimizing shapes in order to produce a more effective, loose painting. Nathalie will provide one on one instruction throughout the day. Nathalie will choose a location that is relatively close to parking and easily accessible. Please arrive on time. Day 2 – Finishing your painting in studio: A review of the work so far with an opportunity to identify the strengths of your painting. Nathalie will provide a demonstration of finishing a painting, with the remainder of the day dedicated to working on your painting. Materials list: Paints: titanium white, medium red, light and medium yellow, ultramarine blue, phthalo blue, alizarin crimson or magenta, orange and purple if desired, black or charcoal. Drawing pad and charcoal, small and medium sizes. Canvas 16 x 20 primed with a golden orange colour as well as an inexpensive practice canvas/board, primed with a golden orange colour. Easel, Plein air easel. Brushes: An assortment. Rags, medium of your choice such as walnut oil or any alkaloid liquid for faster drying and easier application, spray bottle if using acrylics. Ensure you bring a bag for all garbage. Instructor: Nathalie St-Amant’s work can be seen at the Salt Spring Gallery. She is dedicated to Plein Air painting and Abstract Expressionism. She has painted for over thirty years in varying parts of the world, and is influenced by the Group of Seven, Emily Carr, Chagall amongst others.

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